Rudolf, Hedwig and their family live the perfect suburban dream with their beautifully ordered house and garden. But audible from behind the wall are the sounds of mechanised death, for Rudolf Höss is the commandant of Auschwitz. Jonathan Glazer (Sexy Beast, Under the Skin) offers his most ambitious film yet, displacing the usual tropes of the Holocaust drama to depict the pampered life of executioners inhabiting the bubble of bourgeois denial, keeping the reality of genocide hermetically sealed on the outside.

The Garden Cinema View:

Jonathan Glazer’s highly anticipated return to feature filmmaking after a 10-year hiatus strips away the comedic and erotic trappings of Martin Amis’ source novel to reveal a cinematic crystallisation of Hannah Arendt’s The Banality of Evil. Indeed the nightmare of Auschwitz is never faced directly, and much of the running time encompasses the relative non-drama of daily life. For this is a film where the focus is perpetually drawn to an offscreen space of unthinkable horror. The place beyond the wall at the end of the manicured garden; the smoke drifting across the top of the frame; the sounds of military-industrial machinery and human suffering which the family pretend to ignore during a refreshing afternoon swim; the presence of certain ‘banal’ household objects, acquired by unspoken means. Correspondingly, Glazer’s camera picks out doorways, walls, corridors, and windows. Silently questioning what lies beyond/within; an answer provided only by our imaginations, knowledge of history, and a willingness to decode the bureaucratic language of logistics and statistics espoused by Rudolf Höss and his fellow officers.

A unique and thoroughly sobering cinema experience which is bolstered by fine casting and performances, and particularly striking cinematography from Łukasz Żal and scoring from Mica Levi.  

The 19:50 screening on Monday 12 February was followed by a discussion with film critic Sophie Monks Kaufman

Cast:
Christian Friedel, Sandra Hüller, Medusa Knopf, Daniel Holzberg