In the Works is our regular series of screenings and informal conversations with guests from all areas of the industry, hosted by Oscar nominated composer Gary Yershon. Gary’s guest is Tristan Oliver (BSC), an internationally renowned cinematographer known for his work on animated films, including Chicken Run, Curse of the Were-Rabbit, Isle of Dogs, Loving Vincent, and Fantastic Mr. Fox.

00:00 // Intro
00:15 // What’s the difference between Director of Photography and Cinematographer?
01:08 // Working with Wes Anderson on his first animated film “You do not bring yourself to the table”
17:06 // Why handmade animation is exciting for audiences
18:46 // Lenses. and depth of field when animating small scale sets and characters
25:58 // Flicker – why do animators wear black?
27:54 // Aardman’s key role in the animation industry – and why I had to leave
33:50 // Do you have to justify your light sources even when animating a scene underground?
38:02 // Is there something British about stop-motion animation?
41:22 // The use of zoom lenses
44:00 // Big lights, small sets
48:57 // Special effects – the fight ball in Isle of Dogs
52:03 // Puppets, skeletons and movements
55:54 // What comes first, movement or dialogue?
58:15 // Winning awards for animated films

Recorded on 24th February 2024 at The Garden Cinema