Posted 19 Jun 2023 by Abla Kan in

We were joined by director Dionne Edwards, producer Georgia Goggin and editor Andonis Trattos, the team behind Pretty Red Dress, a BFI-distributed gem of a film currently showing at the Garden Cinema for a post-screening chat with our audience.

Join us to delve behind the scenes of this wonderfully nuanced and upbeat film, as we chat about filming in South London, Natey Jones’ gracefulness on screen, casting Alexandra Burke, the tussle between masculinity and femininity and the script development process.

We welcome all comments, input and recommendations!

 

 

Posted 05 Jun 2023 by Abla Kan in

Writer-director Carolina Cavalli’s darkly comic feature debut, which received its world premiere at the 2022 Venice Film Festival, is a deliciously satirical character study of a twentysomething looking for purpose… and maybe also a friend.

We had the opportunity to chat with Carolina over zoom about the film, her previous work, her time studying in Paris, audience expectations and the particular role of childhood friends in the lives of expat children!

Amanda will be screened from 9 June at the Garden Cinema.

Posted 10 May 2023 by Abla Kan in

We chat to a panel of producers, actors and directors about the current film scene in the Arab world, what is means to be an “Arab film”, what the sources of funding tend to be, the themes and genres that appeal most internationally, the intricacies of subtitling and other topics our audience asked about. The event was held as a launch night for the Arab women filmmakers season at the cinema and involved producer and curator Elhum Shakerifar, actress and programmer Sarah Agha and filmmaker Soudade Kaadan.

To mark Italy’s Liberation Day, we screened documentary Bella Ciao: Song Of Rebellion. The documentary traces the origins of the revolutionary song, the myths around it, its international appeal and use, its potential commercialisation. Directors Paul Russell and Andrea Vogt joined us to chat about making indie films, Bella Ciao and the deeply moving meanings behind it with Mydylarama journalist Steve Topple.

Posted 22 Mar 2023 by Abla Kan in

This British classic was screened with a Q&A with David Wood. David co-starred as one of the three rebel schoolboys in a public school, alongside Malcolm McDowell (Mick) and Richard Warwick (Wallace), and they led the revolution against authority – which was regarded by many as a metaphor for the social and political situation in the UK.

Join us for this podcast to hear David sharing behind the scenes stories and other anecdotes.
This film was proposed by our member Paddy Cooper. To propose your own screening, log into your members’ account to visit the Members’ Area. We also show members’ choice selections as regular ticketed screenings.

Posted 23 Feb 2023 by Richard in

We chatted to Italian director Mario Martone about his latest feature film, Nostalgia, which stars one of Italy’s most famous working actors, ‎Pierfrancesco Favino, sporting an eerily accurate Arabic accent. We delve together into the film’s esoteric and spiritual dimensions, its gorgeous and loving portrait of Naples and its depictions of the city’s element of criminality.

Posted 08 Feb 2023 by Abla Kan in

Curator, artist and Brighton-resident John Marchant joined us here at the Garden Cinema for a discussion following our screening of Laura Poitras’s All The Beauty And The Bloodshed. The film tells the story of photographer Nan Goldin’s tireless campaign to expose the crimes of the Sackler family and the part they played in the opioid crisis in the US and to kick the Sacklers out of the art spaces they gave money to to whitewash their actions.

John tells us about her artistic process, her resilience, their work together and what the campaigning achieved.

Posted 08 Feb 2023 by Abla Kan in

We gathered here at the cinema after our screening of The Shining, as part of our Jack Nicholson season, with Professor Roger Luckhurst who wrote The Shining: BFI Film Classics. Roger shares with us gossip and tales from behind the scenes, tells us about the film’s negative reception at the time and the differences with the novel and gives us some context to understand its place as part of the horror repertoire. 

Enjoy!

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