The Garden Cinema is delighted to host a weekend of screenings and events celebrating the films and music of one of the UK’s foremost artists: Sally Potter.
This retrospective anticipates the 14 July release of Sally’s debut album, Pink Bikini, a semi-autobiographical collection of songs about growing up female in London in the 1960s, as a young rebel and activist.
Sally will be live at the Garden Cinema for Q&As following Orlando and Yes and giving special introductions to The Party and Ginger & Rosa. Additionally, Sally will be discussing her album, film music, and more with Miranda Sawyer on Friday 9 June.
We recently joined forces with the International Booker Prize, global film distributor and streaming service MUBI and the award-winning bookseller Foyles for a very special live event and screening.
The organisers of the International Booker Prize, which celebrates the best in fiction translated into English from another language, want to encourage people who love translated fiction to explore more global cinema, and vice versa, so they have invited the team at MUBI to match six great films from around the world with the books on the shortlist for this year’s prize. The curated films reflect the themes or tone of the relevant book and have been approved by each author.
On May 26, we hosted a special live event: an intimate Q&A featuring the winners of this year’s International Booker Prize 2023: Georgi Gospodinov, author of Time Shelter, and the book’s translator, Angela Rodel. The Q&A, hosted by writer and editor Sarah Shaffi, was followed by a screening of One Fine Morning, directed by Mia Hansen-Løve (France, Germany, 2022), which MUBI has paired with Time Shelter.
Mike Leigh and Gary Yershon’s ongoing discussion of the acclaimed director’s films continued at The Garden Cinema with a screening and Q&A for Another Year (2010).
Over the course of four seasons, Another Year explores the life of a sublimely happy older married couple, Tom and Gerri (Jim Broadbent and Ruth Sheen), and their various friends and family members, who struggle to find the happiness that Tom and Gerri have cultivated.
Mike Leigh in Conversation – Part 1: Episode 6
Mike Leigh and Gary Yershon’s ongoing discussion of the acclaimed director’s films continued at The Garden Cinema with a screening and Q&A for Vera Drake (2004).
Vera Drake lives with her husband Stan and their grown-up children, Sid and Ethel. They are not rich, but they are a happy, close family. But selfless Vera has a secret: without accepting payment, she helps young women to end unwanted pregnancies.
On Wednesday 17 May 2023, a murder was committed in The Garden Cinema. This footage was recovered shortly after…
To celebrate the launch of our major retrospective of the legendary master of suspense, Alfred Hitchcock, we transformed our cinema into the scene of a dastardly crime. The cunning sleuths amongst our members were recruited to solve the case. After hunting for clues and interviewing our 6 suspects over the course of the launch party, the detectives bustled into the screen for a showing of Hitchcock’s The 39 Steps, but not before we revealed whodunnit!
Director Maryam Touzani joined Abla Kandalaft for a live Q&A after a screening of her latest film The Blue Caftan.
Following its FIPRESCI prize–winning premiere at Cannes, Touzani asserts her expertise in capturing the intimacy and tenderness in human relationships. In the film, Halim and Mina run a traditional caftan store in one of Morocco’s oldest medinas. In order to keep up with the commands of the demanding customers, they hire Youssef. Slowly Mina realizes how much her husband is moved by the presence of the young man.
The Blue Caftan is now showing as part of Mukhrijat: Arab Women Filmmakers.
Mike Leigh and Gary Yershon’s ongoing discussion of the acclaimed director’s films continued at The Garden Cinema with a screening and Q&A for All or Nothing (2002).
In All or Nothing, Penny’s love for her partner, taxi-driver Phil, has run dry. He is a gentle, philosophical guy, and she works on the checkout at a supermarket. Their daughter Rachel cleans in a home for elderly people, and their son Rory is unemployed and aggressive. The joy has gone out of Phil’s and Penny’s life, but when an unexpected tragedy occurs, they are brought together to rediscover their love.
Director Toby Amies joined our projectionist Ryan Bellett for a live Q&A after a screening of his latest documentary In the Court of the Crimson King: King Crimson at 50. They discuss the difficulties of making a film about a band with such a devoted following, his approach to documentary making, and the relationship between music, time, and death.
The film speaks to an audience beyond (and including) the fanbase. Flirting with mockumentary, In the Court of the Crimson King ultimately transcends the genre by exploring friendship, grief, and the artistic process. Pertinent here are also questions about the role of narcissism in art: did Robert Fripp’s perfectionism contribute to King Crimson’s success, or did it contribute to a joyless experience and the band’s demise?